Den of Geek |
The director and producer of The Legend Of Tarzan talk to us about making the movie…
The Legend Of Tarzan swings into UK cinemas this week. And a month or two back, we had a chance to natter with its director – David Yates – and its producer – David Barron. Here’s how it all panned out…
Let’s start with something obvious: why Tarzan?
David Yates: Well, I was reading dozens and dozens of scripts, and trying to find something after [Harry] Potter that felt really fun, immersive, and had lots and lots of colours. Potter was a big arena experience, and in terms of storytelling it always had a funny bit, it always had a dramatic bit, always had something that was very emotional, always had something that was very beautifully thematic. It always took you to four or five different places, and as an experience that was always very enjoyable. And I read all these Hollywood scripts that they kept sending me, and none of them did that. They were all very one-note, it was one colour all the way through, whether they were blowing up cities or whatever, and then this script turned up and it said Tarzan on the front, and I said ‘I don’t think I’m going to read that, because I know what that is.’
Then someone who’d read it in my office said ‘I really think you ought to read this, because it’s not what you think.’ Reluctantly, I opened the page, and then I couldn’t stop turning the pages, and there was something about this human being who didn’t really know where home was. He didn’t know if it was in the jungle, or in his country estate in England, and he was stuck between the two, which I found really compelling. And there was something about the themes in the movie, that were beautiful, about reconnecting with the environment, reconnecting with animals, understanding animals, understanding that the environment was being threatened. This old-fashioned, iconic character was somehow connecting with present-day values that were very relevant and very important, and very ‘now.’ But more than anything, it was fun, it was moving, it was romantic, it was exciting, it had all the colours that the Potter movies, for me, would have. I thought ‘fuck, this is the first time I’ve read a script that I really want to go see this movie.’